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Scythe

That's the name. It became the "Virgin" when I licensed Class Axe to build it.
Here's the story.

In 1986, not too long after I'd left BCR, I decided to design a guitar with a Gothic Metal feel. The Warlock did well and I figured I needed to get into that market. The trick was to design a guitar that had the same feel as the Warlock without doing a spin-off. So, I started with a blank sheet of paper. After laying out the balance points I started to fill in the blanks. I've never been one to spend a whole lot of time drawing on a piece of paper. I head right for the poster board. I lay them out full size right of the bat. That's just my personal taste. Different designers have their own ways of doing things. When I was finished with the design, I laid the Warlock template down on top of it. There were no intersecting lines. I've heard people say that the Virgin was a Warlock spin-off. They obviously don't know what a spin-off is. Spin-off guitars use the preexisting shape of a guitar and then add or subtract pieces until there is a noticeable change. I've done spin-offs of my own designs many times. People have been doing Strat spin-offs for years, including myself. There are more Strat spin-offs than anything else. Getting back to the Scythe. At the 1987 Winter NAMM we had a Scythe in the Neal Moser Guitars (GMW) booth, which was very close to the BC Rich booth which was being shared by Class Axe. Class Axe was handling the BCR import line. I had known Charlie Stringer, who was a friend of Bernie's, for a long time and he introduced me to Randy Waltuch, who along with Charlie, owned Class Axe. Randy and I became good friends and after the NAMM he called me. Randy said he needed a new shape to liven up the import line. He said he liked the Scythe. I told him I would make a body and send it to him instead of a drawing or template. It would be easier to copy that way. We got our business arrangement worked out and I started to work on the body. I decided that I didn't want to send him an exact copy. I wanted to keep the original shape for myself. (As you look at the pictures below of the Prototype I will point out the differences).
Now to explain the name change. Randy liked the name Scythe, but Charlie, being the GUTTER SLIME guy that he told everybody he was (I loved Charlie, he was a great guy. R.I.P.), wanted to call it the Virgin. So, I said what the hell, I'm getting royalties, why not. It's that simple. They ran ads in Guitar Player Magazine giving me credit for the design as they said they would. When Bernie got BC Rich back, low and behold, there was a new design. Randy told Bernie if he wanted to use the Virgin, he would have to call me and get permission, Bernie never called, he just built it without my permission. I would have had to sue him to get my royalties, and I didn't have the money to do that. Bernie didn't bother to transfer my Bich royalties to Class Axe either. Somebody seems to owe me a LOT of back royalties. Ya think I'll ever get them?

                                    

The Scythe is made out of Alder, one of my favorite woods if you're going to paint the guitar a color. It's not particularly pretty in its natural state, though I know some people that really like it natural. At that time we were using Warmoth necks. I still offer them to anyone who wants a less expensive alternative to totally hand made. This one is a Maple boat neck with an Ebony board, no inlays and a modified Jackson type headstock. It has a Kahler Pro trem, DiMarzio PAF on the neck and Super II on the bridge. Booster mini switch below the bridge pickup with a treble selector mini switch just behind that. A pickup selector switch and then an on-off mini switch and Vol control. The body is 1/4 inch smaller all around the outside than the Virgin. The horns are also not as long. It's a smaller guitar all over than the Virgin. It has a 24 3/4 inch scale neck and it is lightly scalloped.

                                     

It has a real bone nut and Gotoh machines with special FAKE pearl knobs.
That is my old Logo. It was designed by Jimmy Church, a friend of mine and the owner
of one of the two Moser Flame guitars, which he also designed. I always sign the backs of the headstock.

         

Take a good look at the MADE IN USA stamp. This is one of the best ways to date your BC Rich. If you have this stamp on the back of your headstock, your guitar was made in 1985 or earlier.
You will notice the major difference in the tail sweep. The Virgin doesn't have this. It has the same bevel all the way around it. I did that on purpose. That way, it is easy to tell the difference between a Moser and a BC Rich.

         

         

You can really see the tail sweep in these pictures.

         

         

You'll notice the unique output jack placement. That small hole in the electronics plate is to adjust a trim pot. If you have any further questions on the Scythe, feel free to email me.

                      

This is a 1990 Class Axe "Virgin" guitar ad.
I want to thank Erik Engstrom for digging this out of his collection and sending it to me.
Design credit given to "yours truly". I do appreciate them putting it in print.
"Bich, Seagull, Mockingbird, Eagle, Warlock and Beast" and "BC RICH' are registered trademarks of B.C. Rich, and no endorsement, sponsorship or affiliation by B.C. Rich is intended or implied."