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That's the name. It became the "Virgin" when
I licensed Class Axe to build it.
Here's the story.
In 1986, not too long after I'd left BCR, I decided to
design a guitar with a Gothic Metal feel. The Warlock did well
and I figured I needed to get into that market. The trick was
to design a guitar that had the same feel as the Warlock without
doing a spin-off. So, I started with a blank sheet of paper. After
laying out the balance points I started to fill in the blanks.
I've never been one to spend a whole lot of time drawing on a
piece of paper. I head right for the poster board. I lay them
out full size right of the bat. That's just my personal taste.
Different designers have their own ways of doing things. When
I was finished with the design, I laid the Warlock template down
on top of it. There were no intersecting lines. I've heard people
say that the Virgin was a Warlock spin-off. They obviously don't
know what a spin-off is. Spin-off guitars use the preexisting
shape of a guitar and then add or subtract pieces until there
is a noticeable change. I've done spin-offs of my own designs
many times. People have been doing Strat spin-offs for years,
including myself. There are more Strat spin-offs than anything
else. Getting back to the Scythe. At the 1987 Winter NAMM we had
a Scythe in the Neal Moser Guitars (GMW) booth, which was very
close to the BC Rich booth which was being shared by Class Axe.
Class Axe was handling the BCR import line. I had known Charlie
Stringer, who was a friend of Bernie's, for a long time and he
introduced me to Randy Waltuch, who along with Charlie, owned
Class Axe. Randy and I became good friends and after the NAMM
he called me. Randy said he needed a new shape to liven up the
import line. He said he liked the Scythe. I told him I would make
a body and send it to him instead of a drawing or template. It
would be easier to copy that way. We got our business arrangement
worked out and I started to work on the body. I decided that I
didn't want to send him an exact copy. I wanted to keep the original
shape for myself. (As you look at the pictures below of the Prototype
I will point out the differences).
Now to explain the name change. Randy liked the name Scythe, but
Charlie, being the GUTTER SLIME guy that he told everybody he
was (I loved Charlie, he was a great guy. R.I.P.), wanted to call
it the Virgin. So, I said what the hell, I'm getting royalties,
why not. It's that simple. They ran ads in Guitar Player Magazine
giving me credit for the design as they said they would. When
Bernie got BC Rich back, low and behold, there was a new design.
Randy told Bernie if he wanted to use the Virgin, he would have
to call me and get permission, Bernie never called, he just built
it without my permission. I would have had to sue him to get my
royalties, and I didn't have the money to do that. Bernie didn't
bother to transfer my Bich royalties to Class Axe either. Somebody
seems to owe me a LOT of back royalties. Ya think I'll ever get
them?
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The Scythe is made out of Alder, one
of my favorite woods if you're going to paint the guitar a color.
It's not particularly pretty in its natural state, though I know
some people that really like it natural. At that time we were using
Warmoth necks. I still offer them to anyone who wants a less expensive
alternative to totally hand made. This one is a Maple boat neck
with an Ebony board, no inlays and a modified Jackson type headstock.
It has a Kahler Pro trem, DiMarzio PAF on the neck and Super II
on the bridge. Booster mini switch below the bridge pickup with
a treble selector mini switch just behind that. A pickup selector
switch and then an on-off mini switch and Vol control. The body
is 1/4 inch smaller all around the outside than the Virgin. The
horns are also not as long. It's a smaller guitar all over than
the Virgin. It has a 24 3/4 inch scale neck and it is lightly scalloped. |

It has a real bone nut and Gotoh machines
with special FAKE pearl knobs.
That is my old Logo. It was designed by Jimmy Church, a friend of
mine and the owner of one of the two Moser Flame guitars, which
he also designed. I always sign the backs of the headstock. |

Take a good look at the
MADE IN USA stamp. This is one of the best ways to date your BC
Rich. If you have this stamp on the back of your headstock, your
guitar was made in 1985 or earlier. |
You will notice the major
difference in the tail sweep. The Virgin doesn't have this. It has
the same bevel all the way around it. I did that on purpose. That
way, it is easy to tell the difference between a Moser and a BC
Rich. |


You can really see the tail sweep in
these pictures. |


You'll notice the unique output jack
placement. That small hole in the electronics plate is to adjust
a trim pot. If you have any further questions on the Scythe, feel
free to email me. |

This is a 1990 Class Axe
"Virgin" guitar ad.
I want to thank Erik Engstrom for digging this out of his collection
and sending it to me. |
Design credit given to "yours
truly". I do appreciate them putting it in print. |
"Bich, Seagull, Mockingbird, Eagle, Warlock
and Beast" and "BC RICH' are registered trademarks of
B.C. Rich, and no endorsement, sponsorship or affiliation by B.C.
Rich is intended or implied."
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